DHDS Conferences and Study Events

On Common Ground 2: Continuity and Change

14 March 1998

The conference explored the concepts of continuity and change as seen in the sources for historical dance, and in current research, re-creation and performance. The proceeding containing all the papers are published by DHDS (see publications pages).

Barbara Sparti Early Dance research and performance: past, present and future (Keynote paper)
Hazel Dennison Beyond the ballroom: dance as theatre art in 15th-century Europe
Michael E. Lutz Continuity and change within the two dance treatises of Fabritio Caroso
Diana Cruickshank Caroso's two versions of 'Allegrezza d'Amore'
Jennifer Thorp The effectiveness of Beauchamp-Feuillet notation as a means of recording dance in the eigtheenth century
Helene Kázarová One music - two dances: Sarabande by Lully
Madeleine Inglehearn Queen Anne's dancing master
Sarah McCleave A continuing tradition? Manifestations of the grotesque in Purcell and Handel
Anne Daye Strange and fantastic motions: witches and furies in theatre dance
David Wilson The missing link

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